*Note of Forewarning: This article deals with the topic of ancient sexuality, Alien / human hybrid sexuality and the erotic art depicted herein may not be suitable for younger eyes.
The Prometheus Star Map illustrates well the symbolism of Cave Paintings and the story telling myths behind them of ancient Alien Gods and fertilization of Earth and man.
Even with the tide of civilization today we are still mystified, bewildered and intrigued with the thought of life beyond our planet. Yet too often, we ignore the clear evidence of Alien contact that our ancestors left us. From Egyptian witnesses of fire balls in the skies, to Alexander the Great and his eye witness account of a UFO that destroyed the wall of the city he was besieging, the proof ancient civilizations wanted us to know about has always been there for us to discover. Scientists will scoff at any explanation involving extraterrestrials, but their theories are no less far-fetched. The Anasazi were not the only ancient civilization to disappear without a trace, they are joined in mystery with the Olmec, Maya, pre-Egyptians, the fabled continent of Atlantis and the builders of Easter Island. Could ancient Aliens have abducted an entire population or could the Anasazi have been Aliens themselves, living on the land for generations before returning to their home world? Their advanced society proves that they were vastly different from any other inhabitants of the planet, and their mysterious exodus may be evidence that they didn't abandon their homes, but rather returned to them. Australian Aboriginal stories even describe a stargate and travel to an ancient distant world.
Primitive Cave Paintings, Artistic sculptural depictions of god Aliens, Insect Deities and other-worldly entities along with Long Lost civilizations of the Stone Block cities illustrate the diversity of the worship of an ancient alien influence we still do not understand today. the manipulation of sex - from the banishment out of Eden, to cataclysm and deluge revivalism. through the glorification of genitalia - the empowered phallus of a masculine God or the Vaginal fertility of the goddess - all has insights of a coded design - but designed by who?
The Cave depictions Below represent the alien influence.
Down Below that the esoteric sexual influence.
Down Below that the ufo influence.
is it all a theater of eroticism to cloud the judgement of man so the true overlords can rule behind the smokescreen?
the Ancient depictions of omnipotent male gods with an often erect phallus, are a symbolic worship of fertility, masculine power and security. it also illustrates a hidden erotic other-worldly genetic past through the ithyphallic symbolism of the strange cosmic mysteries of eternal dna ... who created us and why?
It is part of the unwritten history of art that given any blank canvas, especially in an unfamiliar medium, the innate human instinct is to draw a penis. Why? As an artistic tradition it goes back to prehistory, the earliest cave Art depict Genitalia and sky gods. In most cases it is difficult to fully understand and classify erotic Ithyphallic Art, especially when those produced in prehistoric times, made them as objects of cosmic worship, eg. phallic sculptures or the various "venus" vagina worship statuettes carved in stone, possibly designed to arouse the fertility Gods. Logically, from the sexual act as the giver of life to the human being, this generalized it as the act of fertilization in all orders of creation. Surely, in that time, man made a difference between sex for procreation and sex for pleasure. Being able to separate the two aspects, has been a fact of profound impact on our culture today.
From prehistory, man has always made objects and images related to sex. In these societies, the role of an artist was the creator of life, story teller and 'impregnate minds'. The stories and works were not intended as beauty objects (materialism was a nonexistent concept for them), but they represented a magical power; astrological cosmic mystery had a large influence on their world and life.
Paleolithic sculptures of naked women such as the Venus of Willendorf had not intended to crudely mimic the female attributes, or perhaps display a pregnant woman, they were symbolic of fertility, life-giving power. It is the process known as "Sympathetic Magic". At this stage, prior to any organized religion, the worship of these symbols represented the cult of the cosmic mystery of life and death. Sex was a symbol of worship. And of course, the most represented were the male phallus and ejaculate of semen with the female vagina and womb a representation of birth but also a representation of the tomb.
Among the most rich and fruitful expressions of Erotic Art, are the Egyptian, Greeks and Romans, the Hindus, and Latin American Inca Empire. It is only since the monotheist Judeo-Christian religions, that everything related to sex has been seen as sinful, shameful and something contrary to a virtuous life. So much so, that at least in the Western and Christian world, all images that glorified and exposed sex were censored and banned from public display. Pope Paul IV turned the Roman Catholic church away from its more sinful, penis-filled past by censoring art and adding marble and plaster fig leaves to the genitals of all the statues within the Vatican, permanently damaging many statues. Also it is documented that Pope Pius IX flew into a rage and vandalized every other exposed male genital sculpture in the Vatican City during his reign in the 19th Century. Why hide the male genitals when we all know it is the source of the fountain of life? Every religion worships it in one way or another.
Giving examples of Erotic Ithyphallic Art in chronological order from prehistory to the present day it can begun to be seen that the evolution of sex and drugs may have been how our ancestors begun communities which led to societies where the sexual nature of mankind blossomed. The ancient world worship of 'union with the Gods' can be explicitly seen in these following ancient relic references - This is not meant as cheap pornography - this is the neolithic and classical 'artform' called Ithyphallic Art - a 'sex worship' with the ancient Gods ~ that we must realize has overt suggestions to Alien overlords manipulation of our species with a potential agenda of possibly harvesting our radiant sexual energy and to use mankind simply as resource material. Is it possible the human species was bred from an earlier ancestor like Monkey and Alien DNA into the sexual slave that we are today - our one driving force being sexual energy, an obsession with the orgasm?
From prehistory, man has always made objects and images related to sex. In these societies, the role of an artist was the creator of life, story teller and 'impregnate minds'. The stories and works were not intended as beauty objects (materialism was a nonexistent concept for them), but they represented a magical power; astrological cosmic mystery had a large influence on their world and life.
Paleolithic sculptures of naked women such as the Venus of Willendorf had not intended to crudely mimic the female attributes, or perhaps display a pregnant woman, they were symbolic of fertility, life-giving power. It is the process known as "Sympathetic Magic". At this stage, prior to any organized religion, the worship of these symbols represented the cult of the cosmic mystery of life and death. Sex was a symbol of worship. And of course, the most represented were the male phallus and ejaculate of semen with the female vagina and womb a representation of birth but also a representation of the tomb.
Among the most rich and fruitful expressions of Erotic Art, are the Egyptian, Greeks and Romans, the Hindus, and Latin American Inca Empire. It is only since the monotheist Judeo-Christian religions, that everything related to sex has been seen as sinful, shameful and something contrary to a virtuous life. So much so, that at least in the Western and Christian world, all images that glorified and exposed sex were censored and banned from public display. Pope Paul IV turned the Roman Catholic church away from its more sinful, penis-filled past by censoring art and adding marble and plaster fig leaves to the genitals of all the statues within the Vatican, permanently damaging many statues. Also it is documented that Pope Pius IX flew into a rage and vandalized every other exposed male genital sculpture in the Vatican City during his reign in the 19th Century. Why hide the male genitals when we all know it is the source of the fountain of life? Every religion worships it in one way or another.
Giving examples of Erotic Ithyphallic Art in chronological order from prehistory to the present day it can begun to be seen that the evolution of sex and drugs may have been how our ancestors begun communities which led to societies where the sexual nature of mankind blossomed. The ancient world worship of 'union with the Gods' can be explicitly seen in these following ancient relic references - This is not meant as cheap pornography - this is the neolithic and classical 'artform' called Ithyphallic Art - a 'sex worship' with the ancient Gods ~ that we must realize has overt suggestions to Alien overlords manipulation of our species with a potential agenda of possibly harvesting our radiant sexual energy and to use mankind simply as resource material. Is it possible the human species was bred from an earlier ancestor like Monkey and Alien DNA into the sexual slave that we are today - our one driving force being sexual energy, an obsession with the orgasm?
Ancient ithyphallic art clearly has profound connections to the 'seeding' of mankind by the gods to educate about what has since become the hidden knowledge of our origins. was sex the tool of mankind's manipulation from the beginnings of alien god hybridization?
Ancient depictions of UFO / spacecraft / pilots
